Staff Writer and Broadcaster, Penelope Spencer-Simpson, reviews King’s Musical Theatre (KMT) production of Grease. Often, when you think of 1950s America, you imagine the...
Aleesha Naqvi attends the King’s Shakespeare Company’s opening performance of Julius Caesar for ROAR. From Roman glamour to Mussoliniesque austerity, with centuries-old language and...
Staff writer Elouise Davies examines contemporary performances of Henrik Ibsen’s plays, through the lens of star power and modernising contexts. Henrik Ibsen has experienced...
Writer Evelyn Shepphird reviews “Standing at the Sky’s Edge”. Standing at the Sky’s Edge sets Sheffield local Richard Hawley’s music against Sheffeild’s iconic Park...
Staff Writer Anwesh Banerjee reviews King’s Musical Theatre Society’s ‘Legally Blonde,’ which played at the Greenwood Theatre from 25 to 27 April 2024. When...
Culture Editor Evelyn Shepphird examines political violence and filial loyalty within Robert Icke’s ‘Player Kings’, the West End adaptation of Shakespeare’s ‘Henry IV’ Parts...
Staff writer Hannah Durkin Review’s The Kings Shakespeare Company’s production of A Midsummer Night’s Dream. Feeling mildly frazzled and irked by the swarm of...
Staff writer Anwesh Banerjee Review’s KCL Opera’s Society latest production ‘Cendrillion’, inspired by the classic tale of Cinderella. After the runaway success of their...
Staff Writer Evelyn Shepphird reviews the National Theatre’s ‘The Motive and the Cue’ and its faithfulness to the 1964 ‘Hamlet’ it dramatises. ‘The Motive...
Staff Writer Anwesh Banerjee reviews the KCL Opera Society’s production of Dido and Aeneas Walking into the King’s Opera Society and KCL Music Society’s...
Staff writers Klara Ismail and Hannah Durkin interview writer and director Barooj Maqsood about thier new student play Middleman. We sat down with Barooj...