Staff Writer and Broadcaster, Penelope Spencer-Simpson, reviews King’s Musical Theatre (KMT) production of Grease. Often, when you think of 1950s America, you imagine the...
Aleesha Naqvi attends the King’s Shakespeare Company’s opening performance of Julius Caesar for ROAR. From Roman glamour to Mussoliniesque austerity, with centuries-old language and...
Staff writer Elouise Davies examines contemporary performances of Henrik Ibsen’s plays, through the lens of star power and modernising contexts. Henrik Ibsen has experienced...
Staff writer Caroline Vlachakou comments on the Greek government’s decision to devalue art studies. By Presidential Decree, the Greek government has equated the degree...
Staff writer Meghana Praveen reviews the King’s Shakespeare Company’s successful dark academia twist on “Twelfth Night”. The King’s Shakespeare Company’s first show of the...
Staff writer Romilly Spaul reviews the Globe’s all-female production of “Titus Andronicus”, which puts the play’s violence in a new light. “Titus Andronicus”, oft-called...
Culture Editor Keir Holmes interviews playwright KT Miles and designer Ana Smoleanu, two King’s students who will be showing their play, “In Good Spirits”,...
Staff writer Hannah Gordon reviews the “Shakespeare and Race Festival 2022”, a refreshing and necessary exploration into the theatre of William Shakespeare The “Shakespeare...
Staff writer Connor Williams reviews the delightfully dark show “Ruination” and then interviews its director, Ben Duke. Planning a trip to the Underworld this...
Staff writer Rachel Cooke reviews “The Doctor”, a thought-provoking play that questions the extent to which our identities colour our lives. A riveting contemplation...