Culture Editor Sabrina Hau and Staff Writer Lamisa Worthy attend the London Clown Festival’s opening cabaret as the festival celebrates its 10th anniversary, reviewing...
Staff Writer and Broadcaster, Penelope Spencer-Simpson, reviews King’s Musical Theatre (KMT) production of Grease. Often, when you think of 1950s America, you imagine the...
Aleesha Naqvi attends the King’s Shakespeare Company’s opening performance of Julius Caesar for ROAR. From Roman glamour to Mussoliniesque austerity, with centuries-old language and...
Staff writer Charmaine Tan reviews “Further than the Furthest Thing”, a play about islanders struggling with their identity and sense of belonging, which similarly...
Staff writer Caroline Vlachakou comments on the Greek government’s decision to devalue art studies. By Presidential Decree, the Greek government has equated the degree...
Staff writer Meghana Praveen reviews the King’s Shakespeare Company’s successful dark academia twist on “Twelfth Night”. The King’s Shakespeare Company’s first show of the...
Staff writer Romilly Spaul reviews the Globe’s all-female production of “Titus Andronicus”, which puts the play’s violence in a new light. “Titus Andronicus”, oft-called...
Culture Editor Keir Holmes interviews playwright KT Miles and designer Ana Smoleanu, two King’s students who will be showing their play, “In Good Spirits”,...
Staff writer Hannah Gordon reviews the “Shakespeare and Race Festival 2022”, a refreshing and necessary exploration into the theatre of William Shakespeare The “Shakespeare...
Staff writer Connor Williams reviews the delightfully dark show “Ruination” and then interviews its director, Ben Duke. Planning a trip to the Underworld this...