Staff Writer and Broadcaster, Penelope Spencer-Simpson, reviews King’s Musical Theatre (KMT) production of Grease. Often, when you think of 1950s America, you imagine the...
Aleesha Naqvi attends the King’s Shakespeare Company’s opening performance of Julius Caesar for ROAR. From Roman glamour to Mussoliniesque austerity, with centuries-old language and...
Staff writer Elouise Davies examines contemporary performances of Henrik Ibsen’s plays, through the lens of star power and modernising contexts. Henrik Ibsen has experienced...
Staff Writer Elouise Davies offers an in depth exploration into the legacy of ‘Inside No 9’ whilst also reviewing its ongoing stage adaptation, ‘Stage/Fright’...
Video Editor Angelika Etherington-Smith brings attention to the ‘Operation Mincemeat’ musical, contextualising it from the war studies perspective. Year: 1943 Setting: MI5 Team: Classified ...
Staff Writer Mohana Mitra examines how Max Webster puts language center-stage in his contemporary production of ‘Macbeth’, starring David Tennant. Max Webster’s (Life of...
Staff Writer Marko Blanusa reflects on his mixed experiences with the National Theatre’s ‘Coriolanus’, arguing that, despite the play’s enduring relevance, the production lost...
Staff Writer Elouise Davies offers an engaging review of the ‘The Rocky Horror Show’ sharing their praise for the recent West End performance. Showing...
Staff Writer Lara Bevan-Shiraz reflects on the life lessons she learnt whilst clowning around at École Philippe Gaulier this summer. Behind the wings, no...
Staff Writer Mohana Mitra examines the successes and unanswered questions of ‘Interview with a Vampire’ Part II. (This article contains spoilers) Immortality beats a...