Staff Writer and Broadcaster, Penelope Spencer-Simpson, reviews King’s Musical Theatre (KMT) production of Grease. Often, when you think of 1950s America, you imagine the...
Aleesha Naqvi attends the King’s Shakespeare Company’s opening performance of Julius Caesar for ROAR. From Roman glamour to Mussoliniesque austerity, with centuries-old language and...
Staff writer Elouise Davies examines contemporary performances of Henrik Ibsen’s plays, through the lens of star power and modernising contexts. Henrik Ibsen has experienced...