Culture
Culture Editor Thomas Deakin writes about the King's Alumni's Theatre Society's production of 'The Crucible'.
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Culture
Culture Editor Sabrina Hau analyses Georgina Collin's 'Succubus'.
Culture
Staff Writer Sukaina Ali reviews ‘Beetlejuice The Musical’, where high-energy stagecraft and modern viral culture meet the West End. Beetlejuice, Beetlejuice, Beetlejuice! Saying his...
Culture
After a summer of drought, London could not be more ready for the cold, wet months ahead. Here in Roar’s culture team, we’re thinking...
Culture
Culture Editor Sabrina Hau explores The King’s Player’s rendition of ‘The Clean House’ written by Sarah Ruhl in the Anatomy Museum on September 27....
Culture
Culture Editor Sabrina Hau and Staff Writer Lamisa Worthy attend the London Clown Festival’s opening cabaret as the festival celebrates its 10th anniversary, reviewing...
Culture
Staff Writer and Broadcaster, Penelope Spencer-Simpson, reviews King’s Musical Theatre (KMT) production of Grease. Often, when you think of 1950s America, you imagine the...
Culture
Aleesha Naqvi attends the King’s Shakespeare Company’s opening performance of Julius Caesar for ROAR. From Roman glamour to Mussoliniesque austerity, with centuries-old language and...
Culture
Staff writer Elouise Davies examines contemporary performances of Henrik Ibsen’s plays, through the lens of star power and modernising contexts. Henrik Ibsen has experienced...
Culture
Staff writer Lydia Bruce reviews the National Theatre’s performance of Bacchae, exploring the play’s commentary on contemporary womanhood and gender binaries. Earlier this week...