Culture
Staff Writer Lubi Sakalieva reviews the final season of the hit Netflix Original, Stranger Things. Throughout the years Netflix has produced many original series. From critically...
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Comment Editor Biraj Khadka argues that Manchester’s musical past holds lessons for Britain’s current political moment. It’s not coming home after all. Regardless, in...
Culture
Culture Editor Thomas Deakin shares his experience of brain surgery, explaining how it equipped him with a fresh perspective on studying and a toolkit...
Culture
Culture Editor Thomas Deakin writes about the recent opening of the Museum of Youth Culture’s first permanent space in Camden and its importance as...
Culture
Culture writer Lamisa Worthy reviews Emerald Fennell’s divisive “Wuthering Heights” adaptation From its bold contemporary take on costume and makeup to the controversial casting...
Culture
Culture writer Biraj Khadka explores how Bad Bunny’s Superbowl halftime show was not just a performance but a display of political resistance in today’s...
Culture
Staff Writer Thomas Deakin examines rising musical artist Sean Trelford’s performance at The George Commercial Tavern in Stepney Green and his personal connection to...
Culture
Staff Writer Adam Eshkeri explores the Castellers of London – London’s answer to a 200-year-old Catalan tradition where groups come together to build human towers,...
Culture
Associate Editor Rayhan Hussain examines how The Traitors has become a rare national TV event and why the BBC’s breakout hit could be its clearest argument...
Culture
Culture editor Keyuri Gawde explores how the marketing campaign of Marty Supreme leverages star persona in a fast moving industry Timothée Chalamet plasters his...
Culture
Staff writer Alexandra Green immerses herself in the new student exhibition which highlights the importance of a dying club culture in the UK On...
Culture
Staff writer Jennifer Hensey taps into what draws us towards our comfort christmas films It’s mid-December. You’re wrapped in a fluffy blanket, tea in...
Culture
Aleesha Naqvi attends the King’s Shakespeare Company’s opening performance of Julius Caesar for ROAR. From Roman glamour to Mussoliniesque austerity, with centuries-old language and...
