Culture
Staff writer Elouise Davies examines contemporary performances of Henrik Ibsen’s plays, through the lens of star power and modernising contexts. Henrik Ibsen has experienced...
Hi, what are you looking for?
Roar News
Culture
The Super Mario Galaxy Movie expands the Mario universe with new characters, emotional storytelling, and stunning visuals, but is it a bold masterpiece or...
Culture
Staff writer Lamisa Worthy names the 2026 horror films you need to look out for. Horror has always possessed a peculiar resilience, constantly mutating...
Culture
Culture writer Mara Ahmed walks through Day 5 of the KCL Strand Film Festival, hoping to explore the question: how do you make a...
Culture
Staff writers Teddy D’Ancona and Thomas Deakin review and interview Siobhan McCarthy and Nico Carney on their new film She’s The He. In our...
Culture
Staff writer Polly Symes interviews Brooklyn based alt-pop artist Alnev on his new EP and everything you left was blue In October 2025, Alnev...
Culture
Staff writer Victoria Urwick discusses how the enduring binge model of streaming platforms is finding its end as opposed to weekly episodes. It is...
Culture
Staff Writer Caitlín McNamee examines the organic sound, refreshing authenticity, and artistic collaboration that form the heart of 5 Seconds of Summer’s triumphant 6th...
Culture
Staff Writer Cordy Page examines the enduring art and talent of neo-soul legend Erykah Badu at her recent concerts in London’s Royal Albert Hall.
Culture
Staff writer Sabrina Hau discusses the cultural reaction to the latest of the 'rebranded' Victoria's Secret runway shows.
Culture
Staff writer Holly Banwell writes on the impact of Stephen Graham's Adolescence, and his latest project Letters to our Sons.
Culture
Staff writer Abigail Curd predicts frontrunners for the 2026 Academy Award nominations. The festival season has finished and awards season has begun! Many of...
Culture
Staff writer Teddy D’Ancona deep dives into this year’s BFI London Film Festival, providing key insights and reviews. Twenty-one days. Three theatres. Well over...
