Culture
Staff writer Cruz Glynka reviews Cirque du Soleil: Kurios – Cabinet of Curiosities. The mesmerising world of Cirque du Soleil has come to the...
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Culture
Staff Writer Cruz Glynka visits the ABBA Arena to review the digital avatars, the live band and the show’s emotional arc that is ABBA...
Culture
Culture Editor Thomas Deakin praises the BBC Proms for bringing music lovers together, celebrating the work of both British and worldwide performers. Despite growing...
Comment
Comment Editor Biraj Khadka argues that Manchester’s musical past holds lessons for Britain’s current political moment. It’s not coming home after all. Regardless, in...
Culture
Culture Choices 2022 is an annual series by Roar’s Culture section in which staff writers select their favourite albums, films, books, and TV shows of...
Culture
Staff writer Tahmid Morshed talks to Irish folk outfit The Mary Wallopers about their latest projects. Dundalk’s greatest Irish folk band just dropped their first...
Culture
Staff writer May Zaben writes about the importance of Phil Collins’s score to the romance in Disney’s “Tarzan”. Romance is everywhere. It exists in...
Culture
Staff writer Rena Hoshino discusses Rina Sawayama’s latest album, “Hold The Girl”, and the steps it takes towards healing generational trauma. On the 18th...
Culture
Roar writer Joseph Harrison analyses the significance of Super Bowl halftime shows from a pop-culture perspective. The date is October 4th, 2022, and Rihanna...
Culture
Roar writer Joseph Harrison on the significance of Beyoncé’s RENAISSANCE album to the Queer community. “RENAISSANCE” is the eighth studio album by Beyoncé Knowles-Carter....
Culture
Roar writer Joseph Harrison on Lady Gaga’s iconic 2013 album, ARTPOP. ARTPOP was Lady Gaga’s third studio album, released in November 2013. The album’s...
Culture
Roar writer Rena Hoshino tells us about the music that people listen to as they study and its effects on their work. With the rise...
Culture
Music Editor Talia Andrea on the clash between the politics and performance of gender in the Eurovision Song Contest. Every May without fail, almost...
