Staff Writer Abigail Curd reviews Jamie Lloyd’s ongoing production of Much Ado About Nothing, highlighting both its successes and areas of disappointment. When it...
Staff Writer Marko Blanusa reflects on his mixed experiences with the National Theatre’s ‘Coriolanus’, arguing that, despite the play’s enduring relevance, the production lost...
Culture Editor Evelyn Shepphird examines political violence and filial loyalty within Robert Icke’s ‘Player Kings’, the West End adaptation of Shakespeare’s ‘Henry IV’ Parts...
Staff writer Hannah Durkin Review’s The Kings Shakespeare Company’s production of A Midsummer Night’s Dream. Feeling mildly frazzled and irked by the swarm of...
Staff Writer Sophie Jacobs reviews King’s Shakespeare Company’s versatile recent production of ‘Cymbeline’ – a tangled web of love, trial and redemption. ‘Cymbeline’ contains...
Staff writer Romilly Spaul reviews the Globe’s all-female production of “Titus Andronicus”, which puts the play’s violence in a new light. “Titus Andronicus”, oft-called...
Staff writer Hannah Gordon reviews the “Shakespeare and Race Festival 2022”, a refreshing and necessary exploration into the theatre of William Shakespeare The “Shakespeare...
On 23 August, King’s College London (KCL) announced on their website that they and Shakespeare’s Globe had established the Shakespeare Research Centre. The new...