Staff writer Hannah Durkin Review’s The Kings Shakespeare Company’s production of A Midsummer Night’s Dream. Feeling mildly frazzled and irked by the swarm of...
Staff Writer Sophie Jacobs reviews King’s Shakespeare Company’s versatile recent production of ‘Cymbeline’ – a tangled web of love, trial and redemption. ‘Cymbeline’ contains...
Staff writer Romilly Spaul reviews the Globe’s all-female production of “Titus Andronicus”, which puts the play’s violence in a new light. “Titus Andronicus”, oft-called...
Staff writer Hannah Gordon reviews the “Shakespeare and Race Festival 2022”, a refreshing and necessary exploration into the theatre of William Shakespeare The “Shakespeare...
On 23 August, King’s College London (KCL) announced on their website that they and Shakespeare’s Globe had established the Shakespeare Research Centre. The new...
Roar writer Allegra Boreham on the ‘Making History: Shakespeare and the Royal Family’ exhibition. Shakespeare is royalty to English literature. He is not a ‘he’;...
Roar Culture Editor Alex Blank reviews Ian Burrows’s forthcoming book, Shakespeare for Snowflakes. In 2016, Ian Burrows, a lecturer of English Literature in Cambridge...
‘ROAR’ grabs exclusive access to the Royal Shakespeare Company’s current production of ‘Macbeth,’ performed at the famed Barbican Theatre. This modern take on the...
Storming into the accolades of theatre praise across London, and already held in high regard by many critics, Sir Nicholas Hytner’s ‘Julius Caesar’ is undeniably...