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Roar writer Theodore Nash discusses the social implications of Netflix’s TV series “Squid Game”. “Squid Game”: The show that has received so much hype, bright...
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Staff Writer Annabelle Duggan reviews the Tibet Film Festival London's preview of 'Tenzing'.
Culture
After a summer of drought, London could not be more ready for the cold, wet months ahead. Here in Roar’s culture team, we’re thinking...
Culture
What the backrooms teach us about our digital landscape, cultural values and hostile architecture that 'Backrooms' could not.
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Roar writer Amiya Johar on the stories Hollywood does and does not tell about climate change. Blizzards born overnight, sudden earth-consuming darkness, and doomsday predictions...
Culture
Roar writer Dafne Selimoglu interviews Alex Lightman, the director of the new interactive horror film, “Night Book.” Horror is one thing, but interactive horror...
Culture
Podcast Editor Matthew Seaman reviews Disney’s 2021 “Cruella”. Emma Stone’s cool coldness makes for an endearing “Cruella” in this fashionable and classy prequel. The...
Culture
Culture Editor Ally Azyan on the Malaysian short film “Kantoi” and its representation of the stigma of teen pregnancies in Malaysia. As much as...
Culture
Culture Editor Alex Blank reviews “Friends: The Reunion” and discusses the show’s relevance today. When I first found out about “Friends: The Reunionâ€, I...
Culture
This article is part of Roar’s collaboration with the Positive Peers this Take Time In, which is KCLSU’s campaign on 4-21 May to support...
Culture
Culture Editor Alex Blank reviews the 2021 film, “Locked Down”, and reflects on human relationships in lockdown. Doug Liman’s 2021 film, “Locked Down”, has...
Culture
Roar writer Joseph Israel reflects on Eric Rohmer’s “A Tale of Springtime” and the upcoming Spring season. The first opus in the saga of...
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Roar writer Charmaine Tan on the struggles of wanting to break into the film industry as a female. “Are you sure that you want...
