Aleesha Naqvi attends the King’s Shakespeare Company’s opening performance of Julius Caesar for ROAR. From Roman glamour to Mussoliniesque austerity, with centuries-old language and...
Staff writer Elouise Davies examines contemporary performances of Henrik Ibsen’s plays, through the lens of star power and modernising contexts. Henrik Ibsen has experienced...
Staff writer Lydia Bruce reviews the National Theatre’s performance of Bacchae, exploring the play’s commentary on contemporary womanhood and gender binaries. Earlier this week...
Staff writer Aleesha Naqvi shines a light on how getting involved with King’s performing arts societies provides a great outlet besides your studies, regardless...
Staff Writer Mohana Mitra reviews KMT Society’s production of ‘Fame’ to examine how an older story stands in relation to a contemporary lens. Saying...
Staff Writer Abigail Curd reviews Jamie Lloyd’s ongoing production of Much Ado About Nothing, highlighting both its successes and areas of disappointment. When it...
Staff Writer Theo Grange reflects on the Royal Shakespeare Company’s ‘Kyoto’, considering whether engaging audiences in a play actually enhances their theatre experience. What...