Connect with us

Hi, what are you looking for?

Culture

Ethereal, Elegant, Exquisite – Zola Jesus: A Review

An ample amount of dry ice filled the main space of Village Underground, Shoreditch in anticipation of the performance of Wisconsin raised Zola Jesus.

The combination of Puccini’s aria from Madame Butterfly ‘Un bel di’ sung by Maria Callas, the smoke, and the beautifully lofty hall produced an atmospheric and almost gothic effect.

If the serene and tranquil space hadn’t set the tone for the evening already, Devon Welsh’s set certainly did. The member of Canadian duo Majical Cloudz seemed put off by the stage and started his performance on the floor surrounded by the crowd. He performed a number of heartfelt and moving tracks about love, heartbreak and childhood, eventually having to move back up onto the stage so that the members of the eager audience further back in the room were able to see him.

An industrial space made to feel gothic was a near perfect reflection of Zola Jesus’ sound. Industrial, modern electronic music that features elements of a goth. The set mainly featured tracks from Jesus’ recently realised album Okovi. Zola Jesus’ voice is hugely powerful and washed from the stage with real force and urgency. Okovi is a Slavic word for shackles and although as the artist suggests ‘we’re all shackled to something’ these shackles seem to increase the strength and intensity of Jesus’ performance.

The artist was joined on stage by her long-time collaborator Alex DeGroot and a viola player who Jesus co-opted into her touring band in Australia. The melancholic, soaring strings were most noticeable during ‘Witness’. This is a track about a close relative’s multiple suicide attempts. ‘Exhumed’, the first single from the new album, was strikingly performed accompanied by bold strobe effects and jarring, theatrical movements from the performers. The simple staging left space for graphic visuals that were projected on the vast back wall, enhancing but never distracting. There was a balance of solemnity and sincerity within the playing of ‘Soak’, however, the track definitely was not lacking in energy or passion.

After a call for an encore by an exuberant audience, Jesus rounded off the evening with a serene track that brought an element of stillness back to the venue.

It was evident she left the ethereal space as calm as she had found it.

Photo Credit: ©STEREOSANCTITY

Latest

Comment

Staff writer Anoushka Sinha outlines some of the difficulties faced by those who suffer from chronic illness and the lack of attention their suffering...

KCLSU & Societies

Roar investigate claims from student athletes that the facilities at New Malden Ground have deteriorated to appalling standards. Student athletes have long been voicing...

Sport

Staff Writer Will Black provides an in-depth summary of the 2024 Japanese Grand Prix. Ricciardo and Albon crash out, Ferrari’s fourth podium in a...

KCL FFC team outside Bush House KCL FFC team outside Bush House

Environment

The Students’ Union (KCLSU) has ratified a student campaign urging King’s College London (KCL) not to promote careers in the oil and gas industry....

Sport

Staff Writer Will Black gives an in-depth analysis on the recent Australian Grand Prix. A Verstappen retirement, a Hamilton retirement and a very smooth...

Events

KCL Jazz Society will host a free end-of-semester concert – ‘Swinging and Singing’ – on Wednesday 10 April, from 16:00 until 18:00 in the Greenwood Theatre....

Culture

Staff Writer Anoushka Singh analyses Taylor Swift’s rise to money, fame and stardom commenting on her now global impact. Taylor Swift recently went on...

Culture

Staff Writer Marko Blanusa shares the best tips, tricks and practices for thriving at the opera as a student. Young people are often put...

Comment

Staff Writer Kayla Rahaman discusses Green Day’s ”American Idiot” lyric switch on New Year’s Eve and reflects on its cultural implications. Performing live in...