Staff Writer Anoushka Singh analyses Taylor Swift’s rise to money, fame and stardom commenting on her now global impact. Taylor Swift recently went on...
Staff Writer Deborah Solomon reviews Grentperez’ touring concert ‘Growing Up?’ highlighting the superb music combined with a crowd of kindness. Clad with peace signs...
Culture Choices 2022 is an annual series by Roar’s Culture section in which staff writers select their favourite albums, films, books, and TV shows of...
Staff writer Tahmid Morshed talks to Irish folk outfit The Mary Wallopers about their latest projects. Dundalk’s greatest Irish folk band just dropped their first...
Staff writer Rena Hoshino discusses Rina Sawayama’s latest album, “Hold The Girl”, and the steps it takes towards healing generational trauma. On the 18th...
Roar writer Joseph Harrison analyses the significance of Super Bowl halftime shows from a pop-culture perspective. The date is October 4th, 2022, and Rihanna...
Roar writer Joseph Harrison on the significance of Beyoncé’s RENAISSANCE album to the Queer community. “RENAISSANCE” is the eighth studio album by Beyoncé Knowles-Carter....
Roar writer Joseph Harrison on Lady Gaga’s iconic 2013 album, ARTPOP. ARTPOP was Lady Gaga’s third studio album, released in November 2013. The album’s...
Music Editor Talia Andrea on the clash between the politics and performance of gender in the Eurovision Song Contest. Every May without fail, almost...
Roar writer Saul Levene reviews Daniel Fish’s recreation of “Oklahoma!” at the Young Vic Theatre. Daniel Fish recreates the classic “Oklahoma!” by Rodgers and Hammerstein...