Roar writer Phoebe Smart reviews Sophie Ellerby’s “Painkiller”, a testament to the exciting potential of local theatre, directed by Toby Clarke and performed by...
Culture Editor Keir Holmes reviews “101 Dalmatians”, a new musical with near-perfect visuals and a far from perfect script. The “101 Dalmatians” franchise has...
Roar writer Sumithra Muttiah reviews ‘Jack Absolute Flies Again’, a riotous comedy that longs for the days of Britain’s past. Witty, eccentric, and packed...
Roar writer Saul Levene reviews “Bliss”, an unrelentingly grim play showcasing the horrors of 1920s Russia. Staged by the acclaimed off-West End Finborough Theatre,...
Roar writer Saul Levene reviews “Cancelling Socrates”, a fascinating play that draws parallels between the trial of Socrates and the ideological battles we see today. ...
Roar writer Saul Levene reviews Daniel Fish’s recreation of “Oklahoma!” at the Young Vic Theatre. Daniel Fish recreates the classic “Oklahoma!” by Rodgers and Hammerstein...
Roar writer Kiren Graziano reviews “Big Fishâ€, a recent production from the King’s Musical Theatre Society. John August and Andrew Lippa’s “Big Fishâ€, directed by...
Roar writer Rena Hoshino reviews the King’s Shakespeare Company’s comedic production of “The Tempest” at the Greenwood Theatre. The past 2 years have not been...
Roar writer Mia Williams interviews Matt Cole, the Olivier nominated choreographer and director bringing the hit musical “Newsies” to London this November. The multi-award-winning musical...