Connect with us

Hi, what are you looking for?

Culture

Disney’s ‘Newsies’ set for London: An Interview with Director Matt Cole

Roar writer Mia Williams interviews Matt Cole, the Olivier nominated choreographer and director bringing the hit musical “Newsies” to London this November. 

The multi-award-winning musical “Newsies” is coming to the Troubadour Wembley Park Theatre on November 28, 2022. The Disney production ran on Broadway for two years and is now coming to London for a “new immersive production.”

“Newsies” tells the true story of the 1899 Newspaper boy strike in New York City. Two of the main newspaper distributors raised their prices for the newsies, meaning that they had to sell 25 more papers to make the same amount that they would have previously. The exploited young boys decided to go on strike and, after a long journey and passionate fight for justice, they succeeded in their mission. 

After soaring reviews on Broadway, it has been announced that the smash-hit musical is coming to London this year, with the cast soon to be announced.

In an interview with the director and choreographer of Newsies UK, Matt Cole, he said: “This is the show I’ve been waiting for. This is the one I have been dreaming of.” Cole has previously been nominated for an Olivier Award for his work on the West End production of “Fiddler On The Roof”, and wants to “create New York City in the space.” He has described this production as immersive, having stated: “As soon as the audience walks through the doors, they are not in an auditorium, they are in 1800 New York City.” 

Unlike other productions of “Newsies”, this production will be staged in the round. Cole said: “No one seat is going to have the same experience.” Contrasting traditional West End theatres where the stage is situated further away from the audience, the director expressed that his production’s set will make it so that “everywhere you’re looking”, there will be “something different going on, and I think that feels exciting.” The idea is that the audience will be “sat inside that world” rather than spectating it, bringing a whole new dimension to the production. 

The show is accompanied by a plethora of music by the famed composer and songwriter Alan Menken. When discussing the music from the show, Cole expressed that, while it “might not stand out to people immediately”, his favourite song is “Once and For All”. He carried on by saying that “Alan Menken has written that song quite geniusly in how it builds and how it translates”. When asked whether there would be any new musical additions in the London show, Cole stated: “You’ll just have to wait and see.” 

There are several extremely talented creatives working alongside Cole for this production, including associate choreographer Jane McMurtrie and set designer Morgan Large. When talking about the crew that he’s working with, Cole said: “Whenever you go into any show…you want to sit in it with your team, with the dancers, with your creatives, and just feel the freedom to create.” 

There is a much broader message to take away from this show. While the production is spectacularly entertaining and a true work of genius, above all, this show is about standing up for what you believe in and fighting against injustice. Cole commented: “I think if anybody can leave that audience with the ability to think about that in the wider world and question whether we should be standing up to things, I think that is an amazing thing to take away from a show. Ultimately that is what theatre should be used for, to raise issues and to hold a mirror up to life.” 

Tickets for “Newsies” at the Troubadour Wembley Park Theatre will be on sale in May 2022. You can sign up to be the first to buy tickets here.

About the author

Related

A computer circuit board with a brain on it

Science & Innovation

Staff writer Jorja Adamczyk discusses Elon Musk’s Neuralink and the shift in their marketing strategy from human enhancement to functional restoration. For years, Elon...

News

The proposed merger between King’s College London and Cranfield University was formally agreed today (2 November) for 1 August 2027 after legal agreements were...

Sport

Staff Writer Jamal Malik-Lyf critiques the Ballon d’Or award. The Ballon d’Or is the ultimate prestige symbol in the footballing world. Ever since its...

Events

On 30 September, King’s College London’s Ukrainian Society and Roar welcomed The Kyiv Independent CEO Daryna Shevchenko and Editor-in-Chief Olga Rudenko to discuss media...

a purple and white graphic a purple and white graphic

Science & Innovation

Staff writer Chloe Roger discusses the implication of the recent research grant awarded to designer protein researchers. King’s College London researchers along with the...

Culture

Staff Writer Sukaina Ali reviews ‘Beetlejuice The Musical’, where high-energy stagecraft and modern viral culture meet the West End. Beetlejuice, Beetlejuice, Beetlejuice! Saying his...

Culture

Culture Editor Thomas Deakin writes about the King's Alumni's Theatre Society's production of 'The Crucible'.

Culture

Culture Editor Sabrina Hau explores The King’s Player’s rendition of ‘The Clean House’ written by Sarah Ruhl in the Anatomy Museum on September 27....

Culture

Culture Editor Sabrina Hau reviews her experience at the Harry Styles concert, ‘Together, Together’. From 13 June to 4 July, ‘Harries’ filled Wembley Stadium...