Staff writer Charmaine Tan reviews “Further than the Furthest Thing”, a play about islanders struggling with their identity and sense of belonging, which similarly...
Staff writer Romilly Spaul reviews the Globe’s all-female production of “Titus Andronicus”, which puts the play’s violence in a new light. “Titus Andronicus”, oft-called...
Culture Editor Keir Holmes interviews playwright KT Miles and designer Ana Smoleanu, two King’s students who will be showing their play, “In Good Spirits”,...
Culture Editor Keir Holmes reviews “101 Dalmatians”, a new musical with near-perfect visuals and a far from perfect script. The “101 Dalmatians” franchise has...
Roar writer Sumithra Muttiah reviews ‘Jack Absolute Flies Again’, a riotous comedy that longs for the days of Britain’s past. Witty, eccentric, and packed...
Culture Editor Keir Holmes reviews “The Seagull”, a modern adaptation of one of Chekhov’s greatest plays. While it contains remarkable performances from Emilia Clarke...
Roar writer Saul Levene reviews “Bliss”, an unrelentingly grim play showcasing the horrors of 1920s Russia. Staged by the acclaimed off-West End Finborough Theatre,...