Aleesha Naqvi attends the King’s Shakespeare Company’s opening performance of Julius Caesar for ROAR. From Roman glamour to Mussoliniesque austerity, with centuries-old language and...
Staff writer Elouise Davies examines contemporary performances of Henrik Ibsen’s plays, through the lens of star power and modernising contexts. Henrik Ibsen has experienced...
Staff writer Aleesha Naqvi shines a light on how getting involved with King’s performing arts societies provides a great outlet besides your studies, regardless...
Staff Writer Abigail Curd reviews Jamie Lloyd’s ongoing production of Much Ado About Nothing, highlighting both its successes and areas of disappointment. When it...
Staff Writer Theo Grange reflects on the Royal Shakespeare Company’s ‘Kyoto’, considering whether engaging audiences in a play actually enhances their theatre experience. What...
Staff Writer Elouise Davies offers an in depth exploration into the legacy of ‘Inside No 9’ whilst also reviewing its ongoing stage adaptation, ‘Stage/Fright’...
Staff Writer Marko Blanusa reflects on his mixed experiences with the National Theatre’s ‘Coriolanus’, arguing that, despite the play’s enduring relevance, the production lost...
Staff Writer Elouise Davies offers an engaging review of the ‘The Rocky Horror Show’ sharing their praise for the recent West End performance. Showing...
Staff Writer Lara Bevan-Shiraz reflects on the life lessons she learnt whilst clowning around at École Philippe Gaulier this summer. Behind the wings, no...
Writer Evelyn Shepphird reviews “Standing at the Sky’s Edge”. Standing at the Sky’s Edge sets Sheffield local Richard Hawley’s music against Sheffeild’s iconic Park...