Connect with us

Hi, what are you looking for?

Culture

Noga Erez: A Live Review at Corsica Studios

Courtesy of ©STEREOSANCTITY

Corsica Studios is cool. Tucked in the railway arches behind Elephant and Castle Station, the intimate venue continually boasts an impressive diary packed full of up and coming artists and quality DJs. When looking for a place to listen to a high standard of electronic music, the venue is a reliable source. When I heard Noga Erez was performing at Corsica, it seemed like a fitting location.

On a slightly grim and drizzly Thursday evening, we ducked into the venue and took up position to wait for support act Morgan Hislop to take to the stage and kick off the gig. Clad in a highly amusing Ricki Lake tee, the producer and DJ performed an enthusiast set of his own tracks that feature heavy bass-lines and auto-tune vocals. Perhaps it’s fair to suggest that the tracks weren’t sitting on the cutting edge of electronic music, but Hislop delivered an entertaining and enjoyable start to the evening.

After a brief hiatus and switch of equipment, the audience filled up and edged closer to the stage in anticipation. Drummer Ran Jacobvitz appearing first on stage, followed by Erez’s co-writer and producer Ori Rousso and then Erez herself sporting a stylish black cape dress that seemed to move perfectly with the rhythmic and punchy movements that accompanied each song. The first remixed track followed by the atmospheric ‘Toy’ built slowly before a catchy an almost trumpet like hook dropped periodically.

Excitingly, much of the set was made up of new and unrealised tracks sandwiched between songs from her album ‘Off the Radar’. New piece ‘Be Nice’ followed by ‘Noizy’, a track that sent the super fans in front of the stage jumping. Erez’s raspy, raw vocal is reminiscent of the artist M.I.A and ‘Noizy’ seems highly influenced by her sound. The handle Erez, Rousso and Jacobvitz have over their equipment and the skill with which they perform is evident and very impressive to watch. ‘Off the Radar’ got the audience moving and by the eighth number the room was very warm, leaving Erez perhaps regretting the thick cape dress. Once the ventilation system began blasting cool air the audience and band appeared invigorated ready for the brand-new track ‘Cash Out’, a scathing attack on big corporations, featuring particularly compellingly performance from Erez as she crouched down and leant towards the crowd.

Courtesy of ©STEREOSANCTITY

The finale of the gig was two tracks from the album, ‘Balkada’ and the first single released ‘Dance While You Shoot’. ‘Balkada’ was met with much movement and excitement but it was the final number that produced the most cheers of approval. ‘Dance While You Shoot’ is dynamic and bold track that rounded off the set perfectly. There was no encore but an offer from Erez of a chat and a hug from the band on our way out. I’m sure the next time Noga Erez performs in London the audience will be far too big to provide hugs for all.

About the author

Latest

News

News Editor Lucy Hamilton interviews Vice-President of the Institute of Occupational Safety and Health (IOSH), Macauley Quinn, to discuss the organisations recent findings regarding...

International Sport

Sport Editor Joel Lim comments on the World Cup Round of 16 and Quarter-Finals. As the 2026 FIFA World Cup heads into its final...

Features

Staff Writer Guy de Basto explores non-profit organisation Enough through reflecting back on his volunteer experience with them. If you’ve been on campus at...

Culture

Culture Editor Sabrina Hau reviews her experience at the Harry Styles concert, ‘Together, Together’. From 13 June to 4 July, ‘Harries’ filled Wembley Stadium...

Student with head in hands Student with head in hands

Comment

Staff Writer Alfie Ray explores the impact of university rankings on London students and how they fuel perceptions of elitism between London universities. If...

Culture

Culture Editor Sabrina Hau reviews her experience at the Harry Styles concert, ‘Together, Together’. From 13 June to 4 July, ‘Harries’ filled Wembley Stadium...

Culture

Culture Editor Thomas Deakin analyses the importance of the recent Bleak Week season at the Prince Charles Cinema as the epicentre of a worldwide...

Culture

Head of Culture Evelyn Shepphird discusses 'The Cases' latest EP 'Mr. Penny' with lead vocalist Harry Hornsby and lead guitarist Will Bullen.

Culture

Staff writer Lamisa Worthy names the 2026 horror films you need to look out for. Horror has always possessed a peculiar resilience, constantly mutating...