Staff writer Charmaine Tan reviews “Further than the Furthest Thing”, a play about islanders struggling with their identity and sense of belonging, which similarly...
Staff writer Meghana Praveen reviews the King’s Shakespeare Company’s successful dark academia twist on “Twelfth Night”. The King’s Shakespeare Company’s first show of the...
Staff writer Romilly Spaul reviews the Globe’s all-female production of “Titus Andronicus”, which puts the play’s violence in a new light. “Titus Andronicus”, oft-called...
Culture Editor Keir Holmes interviews playwright KT Miles and designer Ana Smoleanu, two King’s students who will be showing their play, “In Good Spirits”,...
Staff writer Connor Williams reviews the delightfully dark show “Ruination” and then interviews its director, Ben Duke. Planning a trip to the Underworld this...
Staff writer Rachel Cooke reviews “The Doctor”, a thought-provoking play that questions the extent to which our identities colour our lives. A riveting contemplation...
Roar writer Yunduo Zhang reviews “Lysistrata” at the Lyric Hammersmith Theatre, a modern adaptation criticising the current underfunded NHS system. The Lyric Hammersmith Theatre’s...
Roar writer Phoebe Smart reviews Sophie Ellerby’s “Painkiller”, a testament to the exciting potential of local theatre, directed by Toby Clarke and performed by...