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THE West End production of Richard Bean’s new play Great Britain is the dramatic equivalent of a tabloid, rising out of the rubbish bags...
MOSTLY maddening and hardly beautiful, the latest Derek Jarman celebration to be hosted by the College, JARMAN (all this maddening beauty), further confuses the...
As Daisy Bartlett reviews yet another play about China, what makes this one so special? Although The Shed’s programme had already been finalised...
Nick Virk explains why he thought Nicholas Hynter’s modernisation of Othello worked so well. Â Â Shakespeare is often remembered as the writer of timeless...
Find out why John Stonborough found this production of Othello ‘racist and ridiculous’! Othello doesn’t end well, but this contemporary production at the...
Ever wondered whether the stage production of The Curious Incident of the Dog in the Night-Time holds it own against the much loved novel?...
Interested in immersive theatre? Not sure what immersive theatre is? Read this review of a tantalising (and slightly terrifying) night put on by Punchdrunk....