Staff writer Hannah Durkin Review’s The Kings Shakespeare Company’s production of A Midsummer Night’s Dream. Feeling mildly frazzled and irked by the swarm of...
Roar writer Diya Nadeem covers Kornit Fashion Week London 2022, a fashion exhibition from Kornit Digital dedicated to demolishing the harm brought on by...
Roar writer Kiren Graziano reviews “Big Fishâ€, a recent production from the King’s Musical Theatre Society. John August and Andrew Lippa’s “Big Fishâ€, directed by...
Roar writer Kiren Graziano reviews “The Play’s the Thing”, put on by the King’s Players Society. P. G. Wodehouse’s “The Play’s the Thingâ€, directed...
Without ratification, the newly formed King’s College London (KCL) Ukrainian Society has been limited in its abilities to support their countrymen and women amidst...
Roar writer Rena Hoshino reviews the King’s Shakespeare Company’s comedic production of “The Tempest” at the Greenwood Theatre. The past 2 years have not been...